How to Write Shooting Stars Song( Great rap lyrics )

Shooting stars song

Shooting stars song: Rap is a modern form of poetry, and lyrics are what distinguish good rappers from great ones.

Great rap lyrics are personal and flow like water, blending into the song while making a point or theme like a great essay or story might.

Writing great lyrics takes practice, but anyone can start at any time with just a pen and a piece of paper.

Finding a Theme and Hook

Come up with the theme for the song.

The subject may be something that has recently happened.

Something that has happened in the past, an issue you are thinking about, etc.

It may be a dance-type song, a song where you talk about yourself.

Or it may be something that happened in a dream.

There are no wrong themes, as long as they come from personal experience somehow.

  • The title of the song is a good indicator of its theme.
  • However, you can always come up with the title later.

Come up with the “story” of your lyrics.

You don’t have to tell an actual story, though story-raps have been popular since the birth of hip-hop (Immortal Technique’s “Dance with the Devil,” most Ghostface Killah songs).

Telling a story just means your song or verse has a beginning, middle, and end.

You want to take the listener on a journey, even if it is just a journey about how great and steezy you are.

  • Some rappers write out their songs as paragraphs first.
  • Then write the songs and rhymes to follow the general structure.
  • Having a structure to your song helps you build a coherent idea out.
  • For example, your best point of biggest rhyme wouldn’t come at the very beginning of a song, it would come near the end, like the climax of a good movie.
  • This will help you engage and hold listeners.
  • At the very least, try and end your song in a different place than where you started.
  • This is why even “material rap” about gold and girls often starts by mentioning how little the rapper had when they first started working.

    Shooting stars song

Get to know your beat.

Make sure that the beat you choose is one you’re comfortable with.

For example, if you can’t rap very fast, you may not want to choose a fast beat, as you won’t be able to rap over it without losing your breath or stuttering.

Listen to the beat 4-5 times to get comfortable with the rhythm and the mood of the song.

Get a feel for the speed and energy of the song as well as the mood.

  • Uptempo songs (Das Racist, “People are Strange”) usually require fast verses with lots of words, while slower beats (50 Cent, “P.I.M.P.”) usually have laid-back verses.
  • This rule is not hard and fast, however (see Twista on “Slow Jamz,” for example).
  • When lyrics match the beat, great songs are born. Think about how the beat makes you feel– is it tense and atmospheric, like Jay-Z’s “Renegade,” or is it upbeat and celebratory, like Kanye’s “The Glory?” Notice how the lyrics in these songs match the beat.
  • Listen again to A$AP Rocky’s “One Train,” where five unique rappers have verses over the same beat. Note how each one approaches the song differently: some urgent (Kendrick), some joyful (Danny Brown), some angry (Yelawolf), some contemplative (Big K.R.I.T.). All of them, however, fit into the beat.
  • You do not need to have a beat to start writing raps.
  • It can help to write your lyrics without a beat in mind, then save them until the right beat comes along.

Write a catchy hook or chorus.

This is the repeated phrase in the middle of the song, separating each verse.

They are not strictly necessary (see A$AP Rocky’s “One Train”).

But almost any rap song that wants to gain radio play or traction needs a good catchy hook.

It can range from something very deep to something that’s just catchy.

And it almost always reinforces the theme of the song. Many hooks are sung, not rapped.

  • 50 Cent is a master hook writer, and songs like “P.I.M.P.” and “In Da Club” have hooks that are still sung over 10 years later.
  • For an easy, classic hook, try coming up with 1-2 separate, simple, rhyming phrases.
  • Repeat them each twice, back to back, for the “classic” chorus.
  • Like this catchy hook, repeated in its entirety twice:
    • Cigarettes on cigarettes my momma think I stank
    • I got burn holes in my hoodies all my homies think it’s dank
    • I miss my cocoa butter kisses… cocoa butter kisses.— Chance the Rapper, “Cocoa Butter Kisses”

Figure out how many bars you have to rap on.

A bar is simply one line of your song.

Most raps are built out of 16 or 32 bar verses though they can be as short as 8 or 12 bars as well.

If you’re writing the whole song yourself you might have 2-3 verses and a hook.

You might also have a short 8-10 bar bridge, which is a short verse with a slightly different beat or structure.

  • You can write your rap without knowing the bars as well.
  • Simply write until you feel like your verse is finished.
  • Then edit the beat to fit the desired length.

Shooting stars song

Understand rhyme inside and out.

Raps are written around rhymes. Rhyme connects to lines so that they flow smoothly together, pulling the listener through the song.

While all lines of your rap don’t need to rhyme, and probably should not.

You need to have a firm grasp of rhyme techniques to become a rapper.

Luckily, this doesn’t require any studying, just an ear for what sounds good to you.

Still, it can help to know the different types of rhyme common in rap:

  • Simple Rhyme: When the last syllables of two lines rhyme, like “Can” and “man.” This is the most common and basic form of a rhyme.
  • Multi-syllabic rhyme: One of the best ways to show your lyrical skills is to rhyme multiple syllables at once. This can stretch across multiple words as well, such as Big Daddy Kane in “One Day:” “Ain’t no need for wondering who’s the man/ Staying looking right always an exclusive brand.
  • Slant Rhyme: Rhyming two closely related, but technically non-rhyming, words. Usually, they have a common vowel sound. This is incredibly common in rap because how you say/sing the words can make them sound much more similar. Examples include “Nose” and “go,” or “orange” and “porridge.”
  • Internal Rhyme (In-Rhyme): Rhyming words that do not come at the end of a line but in the middle of it. For example, Madvillains’ “Rhinestone Cowboy:” “Made of fine chrome alloy / find him on the grind he’s a rhinestone cowboy.”

Write “punchline raps” in reverse.

Punchlines are the big lines, jokes, or rhymes that elevate the song from good to great.

There are thousands of great examples, but they are mostly a matter of personal preference.

To write them, try to think of the punchline first then build the rhyming lines around it.

  • If your punchline is “I’m stepping over the competition, so expect to be trampled,” you might try to write a line leading into it that ends with a word rhyming with “trampled.” For example, “They see me in the booth so they know they should scramble/ I’m steppin’ over competition so expect to be trampled”).

    Shooting stars song

Organize your lines into a rhyme scheme.

A rhyme scheme is simply how the song is structured.

The most common way to do this is with alternating couplets.

Which are two lines that rhyme at the end.

The next two lines also rhyme at the end, but with a different set of words.

That said, there are many, many ways to write out rhyme schemes, such as alternating (the first line rhymes with the third, and the second with the fourth) or rhyming 4-6 lines with the same word (like the beginning of “Get ‘Em High”).

The best way to learn is to practice.

  • If you’re a rapper that raps with a lot of flow (smooth, quick words) you may want to have every bar end with the same amount of syllables or almost the same amount of syllables.
  • If you’re a rapper that raps fast you may want to have lots of internal rhymes in every bar, like ” the industry’s gettin’ clean and I’ve seen what them haters mean/ if you thought I was lettin’ up setting up the terrain was dreamed”.
  • If you’re a story rapper you can have the first verse be your intro, your second verse your problem, and your last verse your conclusion.
  • To match this, you might play with a different rhyme scheme in every verse to show growth or use a similar one to indicate that there is no growth.

Make sure your song is personal and real.

Make sure you mean every word and every word comes from your soul.

Let the music come to you. To start writing good lyrics, you should throw on a beat that juices your brain start thinking of some insane rhymes.

It’s all about the state of mind.

  • Specifics from real life will always make a better song. The reason Nas’ Illmatic is one of the all-time great albums is that it feels lived in, not made up.
  • If you don’t have a theme or rhyme scheme yet, just start writing lines that you like. Eventually, these lines will come together to tell a full song, and this can be a great way to practice rhymes.
  • The best rappers are able to tell stories from real life, connecting to their audience’s memories and emotions. They are successful not because they tell crazy or unbelievable stories, but because they make a simple story connect with practice and well-written rhymes.

Improving Your Lyrics

Practice rewriting your favorite raps.

This is one of the best ways to learn rapping techniques.

Take your favorite songs and learn them forwards and backward.

Then rewrite the rap, using the same rhyme scheme but with your own verses.

This is how mixtapes first became popular, with rappers like Curren$y and 50 Cent taking popular songs, flipping them, and making them their own.

Even if you never share the song, this is a great way to learn rap techniques naturally.

Learn poetic techniques to up your game.

Rap is poetry — using words, sounds, and rhymes to create beautiful art and ideas.

As such, it is no surprise that the best rappers have taken inspiration from the best poets.

Eminem, for example, famously used Shakespearean meter and rhyme in many of his famous songs. Other examples include:

  • Alliteration/Assonance: Words with similar sounds that are placed close together, like “Two tip-top teachers” or “apple attitudes.” Listen to Joey Bada$$’s “Waves” for a great example.
  • Simile/Metaphor: Closely connected, this is when writers compare two objects that aren’t usually like to make a point. For example — “I put the metal to his chest like Robocop works on multiple levels, bullets are made of metal, Robocop’s chest is covered in metal armor, and the biggest target when shooting someone is their chest. This is a much more poetic way to imply “I might shoot him.”

    Shooting stars song

  • Refrain: A line that is repeated at various points for emphasis. The more you hear the line, the more it changes, evolves, and gains power. For a master class in how to use a refrain, see Kendrick Lamar’s “The Blacker the Berry.”
  • Anaphora: When the first half of a line repeats, but the rest of the line changes, like in Eminem’s “If I Had” where every line begins with “Tired of….” This is a great way to show how difficult, constant, or trying something maybe, or overwhelm the listener intentionally.

Use specific imagery in your lyrics.

Great imagery puts visuals behind the listeners’ eyes, engaging multiple senses to create complex, engaging raps.

The best rappers all conjure images up in your mind.

Telling stories and making their lyrics come alive.

To do this, focus on being specific– use adjectives and adverbs to make the images your own.

  • This doesn’t have to be purely visual imagery.
  • Action Bronson uses foods and scents in his raps to give them an entirely new dimension.
  • The kings of imagery, Andre 3000, Ghostface Killah, Eminem, etc. are often those rappers that gain the greatest followings.

Work on the flow, or delivery, of your lines so that they work together to tell your story.

Good lines become great lines with good flow.

Flow is how you deliver the words in relation to the beat.

Are you slow, holding back, or are you attacking the beat with speed and intensity?

Do you waver up and down, picking up and slowing down depending on the line? Flow takes practice and patience, so put a beat on and practice.

  • You don’t have to have the same flow throughout the whole song.
  • Nas’s incredibly “NY State of Mind” flows like a great jazz solo — stopping, starting, pausing, and pushing forward around the incredible rhymes.

Shooting stars song

Read the great rappers for inspiration.

Much like a burgeoning writer needs to study the best poets, a growing rapper needs to read to the best.

Reading a rap lets you see it on the page, much like the rapper when they wrote the lyrics.

This will help you comprehend rhyme schemes and little tricks. Sites like RapGenius, for example, even have annotated lyrics that explain metaphors, rhymes, and references.

Listen to what you enjoy, but a small selection of essential verses (in addition to the other songs referenced in the article) to start with includes:

  • AZ’s, first verse on “Life’s a B—“, off of Nas’s album Illmatic.
  • Notorious B.I.G, “Notorious Thugs.”
  • Black Thought, “75 Bars (Black’s Reconstruction).
  • Rakim on “As The Rhyme Goes On,” on Paid in Full.
  • Kendrick Lamar, “Sing About Me, I’m Dying of Thirst.”
  • Lupe Fiasco, “Murals.”
  • Eminem, “Lose Yourself.”

How can I rap without losing control of myself?


Rappers look like they’re going crazy when they’re performing, but this is a performance.

They have carefully crafted every word and movement to go together, practicing it over and over.

The better you know your material, the more control you will have.

Shooting stars song

More tips

  • Never steal lines or you will lose lots of respect in the future.

  • Always listen to more and more rappers and their music to hear different styles and help you think of different ideas.

  • Writing songs come at different times. Sometimes it might take you an entire month to write a new song, sometimes it all comes to you in 20 minutes.

  • Freestyle whenever you feel writer’s block. Freestyling may be silly and fun, and may not make any sense, but the more you freestyle, the more creativity comes out when you record lyrics. You may surprise yourself.

  • Try to keep your song short and sweet – most songs are under 4 minutes


  • Remember that your words have power, and you should always be honest and truthful to yourself when rapping.

  • Your songs may be turned down or even laughed at but never let that stop you from doing what you do.

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